I like the sense of transience. I am drawn in, wondering how they were made. There is a randomness in the materials too, isn't there? It is interesting that this is applied precisely to the design. The fact that the method of creation is wrapped in mystery is fascinating.

I am attracted to the texture of the material. I was surprised that this sort of processing method exists. I wonder if she heated it with a hair dryer by chance and discovered it. I would also like to know how she cut around them. They look as though they have separated naturally. I wonder if she is someone who enjoys experimenting and discovering new methods. It's really fascinating.

I got the sense that she was thinking earnestly about jewelry, rather than simply allowing the material or the idea to take priority. The brooch pin is both functional in construction and beautifully-shaped. By adding a curve to the brooch pin, it seems to float up from your clothing a little when you wear it, which I feel really makes the most of this material.

The design is lovely, but the luster and texture of the cloisonne is good too. I like the uncalculated feel. It has been designed, but
I think she drew the majority of it with her right brain. I suppose that's why it conveys something somewhat nostalgic which remains with you.
The expression in the picture is also nostalgic, but it leaves me with an impression which is different to that of recent accessories.

Cloisonne tends to be associated with nostalgia, but it has been finished to give a feeling of newness. I like how it is free and daring. Brooches that take on various shapes depending on how they are worn are interesting too. I feel the possibility of being able to create an unlimited number of fun accessories.

I feel its warmth as jewelry in the shapes which have been created from drawings.
I'm also taken with the texture of the cloisonne which has been polished to a matte finish.
It's likely to broaden new possibilities in expressions with cloisonne, and I look forward to future developments.

I was interested, and thought it was well-done. I think the work is extremely detailed, and I got the sense that she researched the materials exhaustively. I think it would look good even worn on a heavy coat. It would look cool even if worn by a man.

It is very unique and interesting. It has a mysteriousness that makes me wonder how she made it. I'm sure it took a long time to make. I also like the gap between the bushy part and the square timber. I would also like it as an artistic object for display.

The changes in the texture, which becomes fibrous like this when square timber is struck, is interesting.
And I can imagine that when you attach it to your clothes, it might take on an unexpected appearance.

It is a well thought-out design. The fact that a pearl is hidden within the accessory which can only be seen by the person wearing it is good. The thinking and the construction are linked, or perhaps I should say it has been properly calculated. I liked the fact that despite that, it is poetic.

It is beautifully made and well-finished. The concept that only you can see the pearl is poetic, but the sharp differences in the presentation were charming.

The simple design is filled with a sense of excitement, and I like it very much. If the inside were polished, the pearl would be reflected, and I thought that might be beautiful too.
I feel that wearing jewelry is important not only for dressing up, but also for its emotional influence.